This section is from the "Encyclopedia Of Practical Receipts And Processes" book, by William B. Dick. Also available from Amazon: Dick's encyclopedia of practical receipts and processes.
2936. Wax Varnish, or Milk of Wax. Pure white wax, 1 pound; melt with as gentle a heat as possible, and warm spirit of wine (90 per cent.), 1 pint; mix perfectly, and pour the liquid out upon a cold porphyry slab; next grind it with a muller to a perfectly smooth paste, with the ciddition of more spirit as required; put the paste into a marble mortar, make an emulsion with 31/2 pints gradually added, and strain through muslin. Used as a varnish for paintings; when dry, a hot iron is passed over it, or heat is otherwise evenly applied, so as to fuse it, and render it transparent; when quite cold it is polished with a clean linen cloth. The most protective of all varnishes. Many ancient-paintings owe their freshness at the present day to this varnish.
2937. Wax Varnish for Furniture. Wax, 3 ounces; oil of turpentine, 1 quart; dissolve by a gentle heat. Used for furniture.
2938. Varnish for Paper Hangings, Maps, Prints, etc.. Take of genuine pale Canada balsam and rectified oil of turpentine, equal parts, and mix thoroughly. Give the articles 2 coats of size before varnishing.
2939. Varnish for Card-Work, Baskets, etc.. Take black, red, or any other colored sealing-wax, according to fancy; break it into small pieces, and add enough rectified or methylated spirit to cover it; let the vessel stand near the fire for 2 days until it is quite dissolved. Give the article 2 coats of size before varnishing. The size is made by dissolving parchment cuttings in boiling water. This is a most useful varnish for fretwork, card work, baskets, etc..
2940. Water Lac Varnish. Palo shellac, 5 ounces; borax, 1 ounce; water, 1 pint; digest at nearly the boiling point, until dissolved; then strain. Equal to the more costly spirit varnish for many purposes; it is an excellent vehicle for water colors, inks, etc..; when dry it is waterproof.
2941. Transparent Green Varnish. A beautifully transparent green varnish is made by taking a small quantity of "Chinese blue," with about twice the amount of finely powdered chromate of potash, and stirring these in copal varnish thinned with turpentine. A thorough grinding of this mixture must bo made for the purpose of intimately incorporating the ingredients, as otherwise it will not bo transparent. A preponderance of chromate of potash gives a yellowish shade to the green, and a deficiency increases the amount of blue. This varnish, thus colored, produces a very striking effect in japanned goods, paper-hangings, etc., and can be made very cheaply.
2942. Aniline Transparent Varnishes. The aniline colors are particularly well adapted for the manufacture of transparent lacs, which possess great intensity even in very thin films, and are hence very suitable for coloring glass or mica. Tho process recommended by F. Springmuhl is to pre pare separately an alcoholic solution of bleached: shellac or sandarach, and a concentrated alcoholic solutiou of the coloring matter, which last is added to the lac before using it; the glass or mica to be coated being slight ly warmed. Colored films of great beauty may also be obtained, according to Springmuhl, from colored solutions of gun cotton in other, the coloring matter being here dissolved in alcohol and ether. The collodion film has its elasticity greatly increased by the addition of some turpentine oil; and when applied cold, can bo removed entire. The colored films may now bo cut into any pattern, and again attached to transparent objects.
 
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